SUMMARY

I. Cinematographic Art

Zamfira Năstăsache, M. A, Hyperion University, Bucharest - The Cultural Functions of a Film Festival

Mariana Bara, Ph.D, Hyperion University, Bucharest - “Otto & Bernard”. A Short Film to Promote a Project

Liana Ionescu, Ph.D, Hyperion University, Bucharest - Global Brands in the New Ad Age

Florentina Heroiu, Ph.D, National University of Drama and Film, "I. L. Caragiale", Bucharest - Only you - Always… (O-jik Geu-dae-man) Song Il-Gon

Doina Ruști, Professor, Hyperion University, Bucharest - Information and cinematographic vision in the documentary. Case study: Călușarii (Light Video Production)

Barbara A. Nelson, Professor, University of Bucharest - Two Ways of Looking at a Blackbird: Darren Aronofsky’s Black Swan

II. Cultural studies: The Ceremony and ludic attitude

Elena Saulea, Professor, National University of Drama and Film, "I. L. Caragiale", Bucharest - The Existential Dimension of the Scenic Ceremony

Mihaela Triboi, Ph.D, Hyperion University, Bucharest - La nouvelle vague de la cinématographie russe

Ion M. Tomuș, Ph.D, “Lucian Blaga” University, Sibiu - The Festival. Meaning, History and a Modern Approach

Linda Maria Baros, Ph.D, Université Paris-Sorbonne, Paris IV - La magie imitative. Rituels obscurs, rituels amoureux

Florin Toader, Ph.D, Hyperion University, Bucharest - Experience of the stage actor assumed on screen

III. Book Reviewâ

Efstratia Oktapoda, Professor, University of Paris IV-Sorbonne - NAJIB REDOUANE (sous la direction), Vitalité littéraire au Maroc. Paris, L’Harmattan, coll. “Autour des textes maghrébins”, 2009