SUMMARY

I. Cinematographic Art

Andrew DAVIDSON, MA, Arizona State University – Tossed by Winter Gales, the Storms, the Sea: Reportage of the Auteur in Tristia: a Black Sea Odyssey

Mara Mihaela PANAITE, PhD c at Ankara University Turkey, Department of Radio, Television and Cinema – Collective Memory: Magnificent Century serial between TV Production and History. A briefly case of study

Zamfira NĂSTĂSACHE, PhD c, CESI, University of Bucharest, Assistant Professor Hyperion University – Significant moments in the Romanian communist cinema’s censorship

Nap HELMIS, PhD, Lecturer, UNATC „I.L. Caragiale” Bucharest – Methods of Casting. An Introduction to the Art of Casting

Cornelius GHEORGHIȚĂ, Ph.D, L’École Supérieure d’AudioVisuel (ESAV), Toulouse – Sulina, le far East de l’Europe, – dans mon film Europolis.

Ion M. TOMUȘ, Professor, Lucian Blaga University, Sibiu – A Postmodern Road Movie: Alexa Visarion’s The Green Moon

Eva PERVOLOVICI, Ph. D c., Université Paris 1, Panthéon-Sorbonne – Le film documentaire consacré au cinéma. Défis et jouissances dans la rencontre entre deux auteurs

II. Cultural studies: Form and Idea

Linda Maria BAROS, Ph.D, Université Paris-Sorbonne – Le mythe en tant qu’embrayeur affectif. Transcodages filmiques (Neil Jordan – Ondine)

Monica ILIE-PRICA, Ph.Dc., National University of Political Studies and Public Administration, Bucharest – German Expressionism in Cinema: “The Cabinet of Dr. Caligari” (1919)

Ruxandra DUMITRU, Ph.Dc., National University of Political Studies and Public Administration, Bucharest – The elitist cinematographic consumption of Almodovar movies