UNATC

Cinematographic Art & Documentation

Journal of cinematographic studies
National University of Theatre and Film I.L. Caragiale (UNATC)

SUMMARY

I. Cinematographic Art

Alexandra NICU Ph.Dc., National University of Political Studies and Public Administration (SNSPA), Bucharest - A Comparative Study of Familial Patterns in Romanian Cinema.

Michel AROUIMI, Associate Professor, Université du Littoral Côte d'Opale - ULCO. France - Le père-obstacle, thème-clef des films d’horreur.

Associate Professor Maria-Luiza DUMITRU OANCEA, University of Bucharest -The Chronicles of Narnia – the Lion, the Witch and the Wardrobe (movie release: 2005), a reinterpretation of the ancient pagan myths and symbols, along with the popular archetypes in a Christian mindset.

Adriana TITIENI, Ph.D, National University of Political Studies and Public Administration (SNSPA) -The literary character and the movie character. Case study: the role of Anetta from Youth Without Youth (2007) - by Fr. Coppola and Eliade’s character.

Ioana MISCHIE, Ph.D.c National University of Theatre and Film “I.L. Caragiale”, Bucharest(UNATC) - PoV hybrid storytelling in virtual reality and its axiological implications (Case study: The AI Comrade)

Andreea ARCHIP, MA, University of Bucharest, TV, Digi 24 TV - Is social documentary changing Romania?

II. Cultural Studies

Ioan POP-CURȘEU, Ph.D, Université Babeș-Bolyai, Cluj-Napoca - Culture, civilisation, art: comment les médias de masse et le cinéma ont-ils (re) façonné ces concepts ?

Victor GINGIU, Ph. D, West University, Timișoara - The Imaginary of the old Romanian weaves. Research for the homonymous film

Manuel STĂNESCU, PhD, researcher, Institute for Political Studies of Defence and Military History, Bucharest - An evocative documentary - General Constantin Christescu.

VENCZEL Peter, PhD., Babeș-Bolyai University, Faculty of Theatre and Television, Cinematography-Photo-Media Section, Cluj-Napoca - New horizons. Timbrality and orchestrations after the apparition of new electro-acoustic and digital instruments due to advanced techniques and the birth of progressive rock.

III. Filmmaker’s remarks

Ovidiu GEORGESCU, PhD, National University of Theatre and Film “I.L. Caragiale”, Bucharest - A Creative and Immersive 360 Virtual Reality Experience.

Content

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